{"id":9706,"date":"2023-02-17T09:27:55","date_gmt":"2023-02-17T09:27:55","guid":{"rendered":"https:\/\/www.home4cooperation.info\/?p=9706"},"modified":"2023-02-17T09:27:55","modified_gmt":"2023-02-17T09:27:55","slug":"poetics-of-space","status":"publish","type":"post","link":"https:\/\/www.home4cooperation.info\/tr\/poetics-of-space\/","title":{"rendered":"Poetics of Space"},"content":{"rendered":"
\n

2022 | Die Wolke Art Group<\/p>\n

Poetics of Space<\/h5>\n

Dancetheatre | Greece<\/p>\n

\n

Based on the like-titled seminal text by Gaston Bachelard, this work constitutes a study of the subjective perception of space. It focuses on the \u201cpoetic image\u201d as an immediate environmental perception that precedes conscious thought, imbuing it with properties beyond function and form and affording the observer a state of daydreaming. The dancetheatre piece explores the concept of intimacy, revealing imagery that is not descriptive, but rather points to a personal, subjective, sense of space, thus adapting one of the most important philosophical tendencies of the 20th century and a fundamental influence to contemporary architecture.<\/p>\n

Bachelard\u2019s book focuses on the house, shelter spaces like the nest, spatial features like corners and roundness; so can pockets be thought of as mental and conceptual spaces that can create powerful, timeless imagery that is rooted in the collective unconscious. One can imagine a pocket as a delineation of a personal (or, rather, intersubjective) value system that needs protecting from the outside world, a construct for safekeeping, as in Bachelard\u2019s drawers and closets, or even a compartment defined by abstract properties that carry with them resonances with the past, present, or future.<\/p>\n

It is the resulting mental imagery, in particular, that is of interest; the flooding of past experiences that are not memories but something different that stems from the concepts we have associated with the respective spaces, possibly from childhood. In the author\u2019s own words. \u201cwe are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost\u201d.<\/p>\n

Poetics of Space by\u00a0Die Wolke art group<\/a>\u00a0[GR]<\/strong><\/p>\n<\/div>\n

 <\/p>\n<\/div>\n

Creative Team:<\/h5>\n

Drosia Triantaki (choreography and performance) is the founder and artistic director of Die Wolke Art Group, having choreographed all of their previous works including\u00a0The Tempest, \u0394topia, Trajectory of an Idea<\/em>, and more.<\/p>\n

Dani Joss (music composition, performance, and media) is an awarded composer, sound artist, and programmer, as well as project manager at Die Wolke.<\/p>\n

Savvina Romanou-Pylli (performance) is one of the newest additions to Die Wolke\u2019s collaborators, having previously performed in the group\u2019s\u00a0The Tempest\u00a0<\/em>and\u00a0Ichne.<\/em><\/p>\n

Further info:\u00a0https:\/\/die-wolke.org<\/a><\/p>\n

Other Works by the Artists:
\nhttps:\/\/vimeo.com\/648124293<\/a>\u00a0(showreel)
\nhttps:\/\/vimeo.com\/showcase\/9088172<\/a>
\nhttps:\/\/vimeo.com\/490388076<\/a>
\nhttps:\/\/die-wolke.org\/works<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

2022 | Die Wolke Art Group Poetics of Space Dancetheatre | Greece Based on the like-titled seminal text by Gaston Bachelard, this work constitutes a study of the subjective perception of space. It focuses on the \u201cpoetic image\u201d as an immediate environmental perception that precedes conscious thought, imbuing it with properties beyond function and form […]<\/p>\n","protected":false},"author":18,"featured_media":9707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[154],"tags":[],"class_list":["post-9706","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buffer-fringe-2022-performances"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/posts\/9706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/comments?post=9706"}],"version-history":[{"count":1,"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/posts\/9706\/revisions"}],"predecessor-version":[{"id":9708,"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/posts\/9706\/revisions\/9708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/media\/9707"}],"wp:attachment":[{"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/media?parent=9706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/categories?post=9706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.home4cooperation.info\/tr\/wp-json\/wp\/v2\/tags?post=9706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}